FINAL INTERACTIVE PDF
FINAL PRINT PDF
Wednesday, October 28, 2009
Monday, October 19, 2009
Thursday, October 8, 2009
Week Eleven - Independent Study
Draft Text
The Vitra Design Museum is an internationally renowned and privately owned museum for design in Weil am Rhein, Germany. Vitra CEO Rolf Fehlbaum founded the museum in 1989 as an independent private foundation.
The museum, Frank O. Gehry’s first European building, is an architectural attraction. Together with the museum, which was originally just designed to house Rolf Fehlbaum's private collection, Gehry also built a more functional-looking production hall and a gatehouse for the close-by Vitra factory.
Although Gehry used his trademark sculptural deconstructivist style for the museum building, he limited himself to white plaster and a titanium-zinc alloy, not opting for his usual mix of materials. He allowed curved forms to break up his more usual angular shapes.
Architecture critic Paul Heyer describes the general impression on the visitor as
The geometry of the building does not feel contrived, or particularly noticeable, as you go around the exhibitions. From the outside it does feel both those things, but it is at home among the other architectural showpieces that make up the Vitra site.
The bar and clubbing experience boasts state-of-the-art facilities, where visitors can sit back with a cocktail or two, or hit up the dance floor with the latest beats from the coolest DJ’s.
Art and sculptures bring the museum to life. These are seen around the museum and bar area, each piece telling a unique and interesting story. The latest designs and pieces are on show.
The museum will house various unusual, artistic sculptures that compliment the structure of the museum, as well as contain a bar, bringing with it a different culture and broad target audience. The Bahamas creates a wonderful atmosphere, and picturesque scenes, enhancing the beauty and the unusual aspects of the museum. The Vitra Design Museum is the star attraction and the favourite hang-out for many of the rich and famous. Good view, Good music, Good art. What more can you ask for?
The smaller scaled building will allow a more comfortable feel, which in turn provides a family-friendly environment and a warm atmosphere which you would find in a tropical environment. People tend to be more friendly and close-knit.
The majority of the structure is made from concrete. This gives a nice effect, and will contribute to the unusual aspects of the museum, as it will stand out from its site context, creating a sense of amazement.
The museum, Frank O. Gehry’s first European building, is an architectural attraction. Together with the museum, which was originally just designed to house Rolf Fehlbaum's private collection, Gehry also built a more functional-looking production hall and a gatehouse for the close-by Vitra factory.
Although Gehry used his trademark sculptural deconstructivist style for the museum building, he limited himself to white plaster and a titanium-zinc alloy, not opting for his usual mix of materials. He allowed curved forms to break up his more usual angular shapes.
Architecture critic Paul Heyer describes the general impression on the visitor as
“... a continuous changing swirl of white forms on the exterior, each seemingly without apparent relationship to the other, with its interiors a dynamically powerful interplay, in turn directly expressive of the exterior convolutions. As a totality it resolves itself into an entwined coherent display...”
The geometry of the building does not feel contrived, or particularly noticeable, as you go around the exhibitions. From the outside it does feel both those things, but it is at home among the other architectural showpieces that make up the Vitra site.
The bar and clubbing experience boasts state-of-the-art facilities, where visitors can sit back with a cocktail or two, or hit up the dance floor with the latest beats from the coolest DJ’s.
Art and sculptures bring the museum to life. These are seen around the museum and bar area, each piece telling a unique and interesting story. The latest designs and pieces are on show.
The museum will house various unusual, artistic sculptures that compliment the structure of the museum, as well as contain a bar, bringing with it a different culture and broad target audience. The Bahamas creates a wonderful atmosphere, and picturesque scenes, enhancing the beauty and the unusual aspects of the museum. The Vitra Design Museum is the star attraction and the favourite hang-out for many of the rich and famous. Good view, Good music, Good art. What more can you ask for?
The smaller scaled building will allow a more comfortable feel, which in turn provides a family-friendly environment and a warm atmosphere which you would find in a tropical environment. People tend to be more friendly and close-knit.
The majority of the structure is made from concrete. This gives a nice effect, and will contribute to the unusual aspects of the museum, as it will stand out from its site context, creating a sense of amazement.
2nd Draft PDF
Sunday, October 4, 2009
Week Ten - Independant Study
Textures
Dark Wood
Light Wood
Old Wood
Dark Concrete
Stone
Gold Metal
White Concrete
Dark Metal
Black leather
Dark Brick
Case Study
Walt Disney Hall - Frank Gehry
Mark Irving, author of the book, '1001 Buildings you must see before you die', puts perfectly, why this building makes this honour:
Designed by architect Frank Gehry, Walt Disney Concert Hall, is designed to be one of the most acoustically sophisticated concert halls in the world, providing both visual and aural intimacy for an unparalleled musical experience.
Through the vision and generosity of Lillian Disney, the Disney family, and many other individual and corporate donors, the city will enjoy one of the finest concert halls in the world, as well as an internationally recognized architectural landmark.
The billowing stainless steel forms of the Disney Concert Hall occupy an entire block, that they house an auditorium seems improbable. The stainless steel is is mostly satin finished; the original concave, polished finish caused a problematic glare of sunlight, which caused it to be altered. The building had a fifteen year gestation and an astonishing cost, however the building is loved both by the city and importantly, by musicians.
The entrance doors can be fully retracted so the street seems to flow into the foyer. The spaces inside are generous and complex, the forms as unusual as seen on the outside.
From the stainless steel curves of its striking exterior to the state-of-the-art acoustics of the hardwood-paneled main auditorium, the 3.6-acre complex embodies the unique energy and creative spirit of the city of Los Angeles and its orchestra.
In 1987, the late Lillian Disney made an initial gift of $50 million to build a world-class performance venue as a gift to the people of Los Angeles and a tribute to Walt Disney's devotion to the arts. Since then, other gifts and accumulated interest bring the Disney family's total contribution to over $100 million. The County of Los Angeles agreed to provide the land and significant additional funding to finance Walt Disney Concert Hall's six-level subterranean parking garage.
In 1988, renowned architect Frank Gehry was selected to design the complex, whose final shape he unveiled in 1991. The County initiated construction of the parking garage in 1992, completing it in 1996. Construction on the Concert Hall itself began in November 1999. Also that year, the Music Center launched a capital campaign to complete the construction funding. Many corporate, foundation, and individual partners, along with the State of California, have contributed generously to the campaign due to the remarkable leadership of Andrea L. Van de Kamp, Chairman of the Music Center, Eli Broad, Chairman of SunAmerica, Inc., and former Los Angeles Mayor Richard J. Riordan. The Los Angeles Philharmonic provided additional funding for the core project and full funding for the Los Angeles Philharmonic Center.
"What makes an outstanding building? Craftsmanship, fortitude, grace, and power all play elemental roles, but ultimately the world's greatest buildings are the ones that distinguished themselves as distinct from all that came before and influential on all that followed. This book is an inspiring visual testimony to the extraordinary, creative capabilities of the world's architects, engineers, and builders."
Designed by architect Frank Gehry, Walt Disney Concert Hall, is designed to be one of the most acoustically sophisticated concert halls in the world, providing both visual and aural intimacy for an unparalleled musical experience.
Through the vision and generosity of Lillian Disney, the Disney family, and many other individual and corporate donors, the city will enjoy one of the finest concert halls in the world, as well as an internationally recognized architectural landmark.
The billowing stainless steel forms of the Disney Concert Hall occupy an entire block, that they house an auditorium seems improbable. The stainless steel is is mostly satin finished; the original concave, polished finish caused a problematic glare of sunlight, which caused it to be altered. The building had a fifteen year gestation and an astonishing cost, however the building is loved both by the city and importantly, by musicians.
The entrance doors can be fully retracted so the street seems to flow into the foyer. The spaces inside are generous and complex, the forms as unusual as seen on the outside.
From the stainless steel curves of its striking exterior to the state-of-the-art acoustics of the hardwood-paneled main auditorium, the 3.6-acre complex embodies the unique energy and creative spirit of the city of Los Angeles and its orchestra.
In 1987, the late Lillian Disney made an initial gift of $50 million to build a world-class performance venue as a gift to the people of Los Angeles and a tribute to Walt Disney's devotion to the arts. Since then, other gifts and accumulated interest bring the Disney family's total contribution to over $100 million. The County of Los Angeles agreed to provide the land and significant additional funding to finance Walt Disney Concert Hall's six-level subterranean parking garage.
In 1988, renowned architect Frank Gehry was selected to design the complex, whose final shape he unveiled in 1991. The County initiated construction of the parking garage in 1992, completing it in 1996. Construction on the Concert Hall itself began in November 1999. Also that year, the Music Center launched a capital campaign to complete the construction funding. Many corporate, foundation, and individual partners, along with the State of California, have contributed generously to the campaign due to the remarkable leadership of Andrea L. Van de Kamp, Chairman of the Music Center, Eli Broad, Chairman of SunAmerica, Inc., and former Los Angeles Mayor Richard J. Riordan. The Los Angeles Philharmonic provided additional funding for the core project and full funding for the Los Angeles Philharmonic Center.
References:
* Francesco Dal Co, Kurt, Forster, Frank O. Gehry: The Complete Works, The Monacelli Press, 2006.
* M. Irving, 1001 Buildings You Must See Before You Die, Cameron House, 2007, p839.
* Hollywood Bowl: Walt Disney Concert Hall
* Plans and Sections Images
* YouTube Video: published by geekroller on February 1st, 2007
* YouTube Video: published by ForaTv on July 24th, 2009
* M. Irving, 1001 Buildings You Must See Before You Die, Cameron House, 2007, p839.
* Hollywood Bowl: Walt Disney Concert Hall
* Plans and Sections Images
* YouTube Video: published by geekroller on February 1st, 2007
* YouTube Video: published by ForaTv on July 24th, 2009
Week Ten Tasks
Vitra Design Museum
Final Image Captures
Final Image Captures
Final Re-Representation Concept
NIGHTLIFE
The bar and clubbing experience will be the main focal point in my re-representation concept for the Vitra Design Museum. It will boast state-of-the-art facilities, where visitors can sit back with a champagne or two, or hit up the dance floor with the latest beats.
EXHIBITIONS
The re-representation will still incorporate art and sculptures. These will be seen around the museum and bar area, each piece telling a unique and interesting story. The latest designs and pieces will be on show.
BAHAMAS
The location of my re-envision. Creating a wonderful atmosphere, and picturesque scenes, the Vitra Design Museum will be the star attraction and the favourite hang out for many of the rich and famous. Good view, Good music, Good art. What more can you ask for?
Re-Envision Model Renders
Sunday, September 27, 2009
Subscribe to:
Posts (Atom)
